I’ve just returned from my trip to LFW and will be sharing this season’s experiences with you in diary style posts. I have decided to present our adventures in 3 parts to keep them short, sweet and interesting.
The night before we left was stormy and there was a brief moment when it seemed like we weren’t going to be able to make it down, but by the morning trains were running again and we arrived in London with just 20 minutes behind schedule.
I shot for one of their previous lines about a year ago and you can see the shoot here but it was nice to get the opportunity to meet Lucinda in person and hang out.
The next morning we headed to our first show all together. It was raining. I found myself wishing I’d brought a selection of outerwear so my street-style photos didn’t all end up looking the same but alas, my suitcase was heavy enough already.
Thanks to Amber for the pics.
Our first show of the season was Jaime Wei Huang. The young designer presented a modern collection with many contrasting elements but a sleek, consistent feel. She was inspired by the film “the Pianist” and specifically the characters behind the refugees.
Opposites really inspire me in general so I’m always happy to see a collection with juxtaposing features. Huang mixed heavy and light fabrics, utilitarian features with classic silhouettes and masculine shapes on the female form.
The mood of the show was quite sombre and the models walked quietly and spaced out, allowing viewers to take a good look at the garments but maybe also the character beneath, perhaps a glimmer of the of the refugee’s pre-war identity .
Key features such as the trapper hats, oversized funnel collars and thick buckled straps recreate the resourcefulness of war and show how necessity can form fashion statements.
After the show, I also got the chance to briefly meet Pandemonia Panacea and snowy.